
LILY MO BROWNE
“…amazing dramatic talent”
Boris Koroshenko, Trunch Music Festival
Most recent winner of the prestigious Kathleen Ferrier awards, British mezzo-soprano Lily Mo Browne studies under Ben Johnson and Caroline Dowdle at the Royal College of Music. She is supported by the Drake Calleja Trust, and is a Robert Lancaster and Helen Majorie Tonks Scholar, and is excited to join both the National Opera Studio, London (NOS) and the Verbier Festival Academy’s Atelier Lyrique as a Young Artist in 2025. Upcoming role debuts include Dido in Dido and Aeneas with the Northern Chords Festival, and Flippyevna in Eugene Onegin with the Verbier Festival later this season. Other roles include Second Witch Dido and Aeneas (Hurn Court Opera), Old Lady Candide (Southgate Youth Opera), Zweite and Dreite Dame Die Zauberflöte, La Regina La bella dormente nel bosco and Marie Airtime with the RCM International Opera Studio. Oratorio works include Handel’s Messiah, Rossini’s Petite Messe Solennelle, Mahler’s 2nd Symphony, Mozart’s Requiem, and Michael Tippett’s A Child of Our Time.
Winner of the 70th Kathleen Ferrier Awards 2025
Lily Mo Browne is thrilled to have won this year’s Kathleen Ferrier Competition. 2025 marks the 70th anniversary of the competition. Performing alongside duo partner, Ayane Nakajima, they presented a programme of opera, oratorio, and song at the Wigmore Hall on both the 23rd and 25th of April 2025.
“Browne made Stanford’s La Belle Dame Sans Merci… sound like England’s answer to Schubert… While she caught the mood shifts of Olga’s aria from Tchaikovsky’s Eugene Onegin and drew out the drama of Fia dunque vero… Oh mio Fernando from Donizetti’s La Favorita, in Brahms’ Dein Blaue Auges it was her directness and focus that made the song succeed.’
‘Kathleen Ferrier Awards review- Lily Mo Browne takes top prize’ - The Sunday Times 2025
